The Mystery of Marie LaVeau, Voodooienne

Dead cats and chicken blood? Poppets stuck with pins? Hexes, baby killing, and all that other sick stuff people imaginatively associate with Satanic orgies? It’s all in a day’s work in New Orleans.

Anyone who has visited the Crescent City recalls dozens of tourist shops selling voodoo dolls straight from China, and all manner of strange roots and herbs and bizarre candles and salts and sprays. You may have picked up some lotion or potion or gris-gris bag as a souvenir, or you may have found the weird ritual objects eerie and frightening. Either way, most of us dismiss voodoo and have no idea that it’s a complex and fascinating religion. We’re still afraid of black people.

And we’re SUPPOSED to be afraid of voodoo. Not because it’s devil worship, but because it’s the only defense the African slaves had when they were herded like cattle onto ships and unloaded in the Caribbean and American South. Vodoun, or Dahomey, is a powerful religion practiced to this day in West Africa and beyond, and more macabre strains of the ancient faith steeped into the new world, in forms called Santeria, Voodoo, or Obeah. Here, practitioners used curses and hexes as scare tactics to protect what little they could of their heritage, to express anger at their slavery, to protest rape and child abduction and slavery. Like any religion, voodoo could be mean and vindictive and retaliatory. Old Testament-style animal sacrifices feel repugnant to some of us, and the ’superstitious’ ceremonies from Africa feel bizarre. Indeed, some of the more unusual traditional beliefs are damaging- we may have read in the newspaper how harmful primitive beliefs are: a virgin should cure AIDS, or an outsider has cast a malicious spell and caused diseases or hunger. Is this how ancient cultures make peace with modern problems? Is this so much different from early Euramericans thinking women should be drowned to protect farms from blight?

For the most part, the faith in the new world was also peaceful. Though there is one God in vodoun, there are many loa, or ancestral spirits, usually regional. These spirits provide intercession with God, and the frenzied dances and rites that terrify the unimaginative, lily-livered puritans provided hope of the homeland in times of extreme despair. The drum, long reviled by the God squad, represented the heartbeat, the pulse of life.

The curses and hexes and zombie making and any Satanic-sounding tidbits were manufactured to keep the master out of the slave girls’ beds. It’s interesting to note that the ubiquitous voodoo doll is not of voodoo origin at all; despite its popularity in souvenir sales, the poppet’s place was in white European witchcraft. And though the sale of spells and fortunes has given vodoun’s legitimacy a bad name, making it into parlour entertainment at best and greedy deception at worst, it was only because slaves and their descendants had no means to earn money that began to sell mojos to white people.

Built up of thousands of unusual rituals and ceremonies, making colourful use of trinkets and candles and ‘patron saints’ of a geographic region or a theme in life, vodoun was surprisingly similar to Catholicism. The old ways merged seamlessly with the new prayers and saints. It’s difficult for contemporary theologians, so removed from religions that preceded ours, to reconcile the pagan roots of Christianity. Those roots are black and white, and evident in every Christian custom and ritual, especially the holidays.

Because slaves who practiced their born religions faced death or torture, they often professed complete conversion to Catholicism and simply practiced their rituals privately at appropriate intervals, or cloaked with the Church’s rites. Many were legitimately Christian, seeing no discrepancy between their traditional customs and the new ones. They viewed the faith of their African ancestry as a doorway to the Christian mysteries. They loved Biblical stories and parables, complementing their vast oral histoire of myths, legends, and parables.

marie-leveauxNew Orleans’s most famous and powerful voodoo priestess, Marie LaVeau was a devout Christian. She was lauded in obituaries as a saint for her lifelong and tireless devotion to the sick and the poor. The known facts about her life are difficult to extricate from the legends and lore of her devotees and enemies. Thousands visit her gravesite today and leave small trinkets in exchange for spiritual favours or good luck. Many saw Marie continue her ritual work long after her death, but this uncanny occurrence was easy to explain: Marie passed her gifts to her daughter Marie, who markedly resembled her mother.

Marie 1 was born in 1801- this date was up in the air, and many accounts say 1784- but Ina Fandrich, a religious history scholar at the Louisiana State University finally found Marie’s missing birth record in 2001. Her birth was not unusual for the time- she was the bastard child of a plantation owner, Charles LaVeau who knocked up his Haitian-descent slave girl. Marie was an unusually beautiful girl with Haitian and native blood from her mother and white from her father, and though little is known about her childhood, she was a free woman of colour, or ‘half-breed.’ Plucky and resourceful, she learned to cut and style hair and began working for herself as a teenager. She was a good listener in addition to a good hairdresser, and a sensible businesswoman. She allegedly wore her own hair beautifully, a constant advertisement of her services.

It is not known from whom she learned the art of voodoo, but it must have been her mom or other relatives, as Haitians at the time (and now) were faithful to their traditional rituals. Smart and insightful and compassionate, Marie was sympathetic to the stories of her hair clients, and as more and more began asking her advice on love, fidelity, money, and other affairs, she saw an opportunity to exchange her gifts instead of giving them away for free. She began selling custom-made spells and charms and advice to her white clients, though she always worked her mojo free of charge for blacks and the poor. Sometimes all that was asked of her was prayer, and from an early age, she devoted much time to visiting prisoners, just like Christ commanded in the book of Matthew. She would provide prayer, solace, advice and companionship free of charge, and she did this into old age.

Though skeptics discredit her intuition, saying she used spies and her own conversational genius to dig information up about each client, only to later astonish them with her clairvoyance, this type of thinking shows a complete lack of understanding of real magic. For the heart of magic is empathy, despite the fact that shoddy psychics and performers have convoluted its essence. Spiritual healing is about more than guessing how many kids or lovers a person will have. It’s about helping people gain confidence and trust in themselves, find spiritual comfort, and seek the truth they need about a situation. To most practitioners of symbolic arts, it’s more about harnessing the power of the spirit to overcome obstacles, to ritualize your needs, and find comfort. If Marie was a good listener and used this skill wisely in her spell work or fortunes, this only attests to her intelligence, not to her fraudulence. She did not claim to be what she was not- she merely sold what was asked of her to those who could afford it, and gave it lovingly to those who could not.

Of course, Marie is infamous, as voodoo is in general, for lascivious sex dances in the city and surrounding bayous. Though ‘negro gatherings’ were illegal, she charmed the police by letting their wives attend. Though so-called orgiastic rites were blamed on the heathen souls of Africa, many voodooists saw nudity or sexuality as sacred gifts. In contrast, the South’s mixing of blood to form the mulatto, quadroon, and octoroon caste systems of old New Orleans happened largely because of rape. A slave, after all, is a man’s property, but the babies that resulted from his lust were not his concern.

Many sympathetic and supportive whites joined in the voodoo rituals: perhaps as many as thirty percent of practitioners in that day were white. Many women were in disagreement with their husbands’ use of black women as chattel, unfaithful to their wives, yet denigrating the black women who they sought out for lust. Forming an alliance through voodoo bonded the women in strange faith.

Whatever unusual cavortings really took place under the moon is impossible to know. Regardless of the festive gatherings, Marie’s one-on-one work was booming, and she was seldom wrong about the outcomes of court proceedings, dalliances, parental heritages, and other standard questions of a priestess. Skeptics say she could hoodoo any court case not by the herbs she mixed in a jar, but by the information she knew about a judge and could bribe him with. Again, a real priestess knows the herbs are symbolic and it is the mind, not the mumbo jumbo that works the spirit. Powerful potions are inert unless blessed and believed, because all ‘primitive’ magic is sympathetic magic. This is not just true in voodoo, but even in plain old wholesome Baptist faith. Is taking a shower the same as the ritual of baptism? No, yet they are the same act. Intent always changes an action into a rite.

Marie continued her successful hair salon, spell sales, and ministry to prisoners and the poor. She encouraged all of her clients to attend mass and take ownership for their misdeeds. There are rumours that she also entertained white men at orgies and that she killed babies, but holy women are often accused of such things, especially if they are sexually active. It is possible she was a midwife or directed midwife abortion services to black girls who had been raped into pregnancy by rich white men, like her mother. There is little evidence to show this rumour to be true. Yet, this role was an unfortunate necessity for some skilled voodooiennes at a particularly tragic time in history.

Some of Marie’s shadier reputation was linked to voodoo Doctor John, who told others he gladly sold whatever he could to the gullible, and acknowledged his work as ‘humbuggery.’ I would argue there are many faithless today who puppet their religion, and many who make a living deceiving others in some way, and still more who make a living selling useless crap. Who could judge a man with no earning options for work as a snake oil salesman? Perhaps the roots of advertising today are in voodoo?

Marie did marry early on, a fellow named Paris, before she was twenty, but just as quickly she was either abandoned or widowed. She went on to a long-term common-law relationship with another, Christophe Glapion, with whom she reportedly had fifteen children. Other reports say six. She definitely had a daughter named Marie the second, who carried on her work with gris-gris, juju, candles and charms. Whether this Marie was gifted also, or just able to carry on in the name of her legendary mother is not certain.marie_laveaus_house_of_voodoo

Marie was a brilliant businesswoman, and some of the rumours about white men and orgies may be explained by other rumours- that she ran a brothel, selling mixed girls to rich men of any colour. (In the strange society of the day, a woman whose features were full yet ‘passed’ as white fetched incredibly high prices as a wife or whore, and was considered the most beautiful. To have just ‘a drop’ of black blood was the height of exoticism. From mulatto on down to octoroon- one-eighth black- these exotic mixes were desirable. Anne Rice popularized this history in her book The Feast of All Saints.) She may well have run a brothel. Brothels were not rare in New Orleans, and they have not been rare anywhere in the world, at any time in history. While a brother may be depraved, there was often a kind of safety and solidarity instead- rather than the man taking what he wanted for free, and leaving the girl sick, sad, broken, injured, raped, or pregnant, a brothel could ensure that willing women, or women with few choices, could have a better experience of man’s lust, by being paid and cared for and protected, with access to medical care. Whether Marie was in charge of such an establishment cannot be known for sure, but in many ways, Marie stood for all women of this complicated era- sister, soother, mother, saint, priestess, whore.

Of course I do not underestimate the dark side, but it is not a satin ribbon on a chicken foot, or a picture of the devil that can scare me: it is the darkness in the human heart. Voodoo was a form of faith that was twisted by captivity, torture and rape into something darker than its origin. Our perceptions are completely skewed by racism, and evasive of the hideous crimes in our own faith’s heritage. The accusations of baby killing, devil-fucking, and orgiastic rituals of which voodoo is accused or interpreted are reminiscent of another witch-hunt back in Europe, where women were tortured with iron claws, their breasts torn and their bodies raped by steel because terrified white men accused them of ‘cavorting with the devil’ or of “monstrous desires.” If a wise woman mixed up a few herbs into tea to ease a neighbour’s childbearing pains, she was burned at the stake for succubus humping.

I will not put into softer terms the kind of degradation and ridiculous sex obsession of these men in power. If my words sound sick, it is because they reflect the sickness of their philosophers, and I will not cover up those crimes. The same spiritual terror they had of women’s sexuality in the middle ages also fuels the racism from which we inherited our perceptions of voodoo, and of Marie, and of black people, and their customs at the time. It’s difficult to remove that sick lens and see the narrative clearly. Even the educated among us will quickly mock as strange a scene from a New Guinea initiation ceremony or some unusual body tattooing in Africa. And yet the absolute creativity of rape and torture and devil-obsession or superstition that is a legacy of the European heritages is somehow irrelevant.

Indeed, the accounts we have left of the voodooienne are ironically convoluted by superstitious bias- and racist and sexist bias, making the sparse facts difficult to interpret clearly. And most of them are written a century later, including Robert Tallant’s 1956 novel, the Voodoo Queen. It’s quite a riveting read, but starts out on that left foot: “Marie LaVeau was the last great American witch.” By the second paragraph, whispers of her consort with Satan in the form of snakes and goats already make their appearance.

Jewell Parker Rhodes, a professor of American literature, has devoted most of her writing career to Marie LaVeau. Voodoo Dreams and the sequels that follow the 1993 novel are works of fiction, but Rhodes scholarship and historical and racial sensitivity provide both a fascinating and a sensitive treatment. Remarkably, the works aren’t too sentimental as my work here might be- Rhodes acknowledges that Marie was only human after all, driven to both good and bad as we all can be.

Marie died in her cottage on St. Ann Street in 1881, at the age of 80, though her death certificate stated 98 years! She was beloved and not reviled by the Church, who gave her last Catholic rites without hesitation.

The Daily Picayune reportedly lavished her with affection in the obituary: All in all Marie LaVeau was a wonderful woman. Doing good for the sake of doing good alone, she obtained no reward, oft times meeting with prejudice and loathing. She was nevertheless contented and did not lag I her work. She always had the cause of the people at heart and was with them in everything.”

Lorette C. Luzajic is the girl at www.thegirlcanwrite.net. Writer, artist, editor- her various art creations are everywhere. You may also enjoy her feature food stories and spice column at Gremolata.com. Visit her site for biography, client testimonials, links, or to hire her for your next writing project. Please order her amazing poetry collection, The Astronaut’s Wife.

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Cosmic Karmic Kramer: meet Brother Michael Richards

I’ve often joked about Kramer being the only man I’d ever marry again. There is something about his fearless eccentricity, about his nonsensical quips that somehow hold the meaning of life.

Though he’s physically awkward, he manages a smoldering dignity even as he flails or clumsily slides through doors. Though he doesn’t work anywhere except the bagel factory twelve years ago, he partakes in every zany endeavour life has to offer. He doesn’t limit the kind of friends he has – his circle includes Jerry and Elaine, and also Japanese businessmen, cigar aficionados, Russian cable thieves, hooligans of various ilks, artists, and an endless parade of fine women. While George and Jerry just watch a woman undress in the window opposite theirs, Kramer goes and knocks on her door.

He is a man who does not let life pass him by. He is enthusiastic about a good meat slicer- being very fond of a good sandwich- but when he doesn’t like something, he doesn’t suffer through it anyway. “These eggs are disgusting. The chicken should be ashamed of himself!” Though he dresses a bit like the ‘hipster dufus’ he describes himself as, he is confident that there is room in the world for his unique blend of beauty. “Jerry, look at me, look at my face, huh, am I beautiful? George, am I beautiful? “

A shrink might call Cosmo Kramer delusional, right before falling flat on her face for him. Here’s a man prone to brown corduroy pants and lobster-printed shirts, tall and lanky with an Eraserhead haircut, who nonetheless describes his appeal with another perspective altogether. “I’ve got the body of a taut pre-teen Swedish boy,” he tells Jerry. My hypothetical shrink wouldn’t be the first to lose her grip over the K-Man (never, ever to be confused with the K-Fed). There was Sister Roberta, a Latvian Orthodox nun who had never been stirred before except by God. There was Audrey, the stunner with the big nose who ran off into the sunset with Kramer after her rhinoplasty. There was Anna, a black girl who took him home to Daddy. There was George’s ex-fiancée Susan’s lesbian lover, the girl in the wheelchair, the chubby girl, and of course, and the trucker babe. “There’s nothing more sexy than a woman behind the wheels.”

Perhaps there’s nothing sexier than a woman behind the keyboard, fingers flying across the page as her expression grows dreamier and dreamier. As I record what can only be described as a deep and timeless joy, evoked by Kramer’s high-pitched chortles and intense passion for life, by his offbeat antics and oddball enthusiasms, I feel alive.

But alas, you don’t need to be Kramer’s shrink to know what’s wrong with this picture. For Cosmo Kramer isn’t real- he is a very convincing creation by a man who barely resembles him. Does anybody know anything about Michael Richards, the three times Emmy winner, except that he is obviously a genius?

Michael Richards was on no one’s radar outside of Kramer until 2006, doing stand up comedy. Unfortunately, his new act wasn’t all that funny, and one of history’s most memorable racial tirades took us all back a few hundred years.

Richards was performing at Hollywood’s Laugh Factory when a group arrived somewhat noisily mid-set. To add insult to injury, the arrivals began heckling Richards’ act. Much to the audience’s surprise, Mr. Mike went psychotic and began hurling some of the most racist statements ever uttered in America, a surprise from a mild-mannered guy. And I quote:

“Fifty years ago we’d have you upside down with a f***ing fork up your ass…You can talk, you can talk, you’re brave now motherf**ker. Throw his ass out. He’s a nigger! He’s a nigger! He’s a nigger! A nigger, look, there’s a nigger! … “They’re going to arrest me for calling a black man a nigger.”

Well, that’s one way to commit career suicide and it wasn’t long before Richards announced his retirement from comedy. Was there a choice?

Richards publicly apologized to the “Afro-Americans” he’d offended and declared that he was not a racist. Then what happened up there? Something that could happen to anybody: Richards lost control of his audience, tried to be increasingly outrageous to draw attention back to his act, found himself stuck with a mouthful of N-words.

This was a terrifying embarrassment for any comedian, but was it really ‘racist?’ Sure, the words were, but what about Richards himself? How many comedians have uttered the word ‘nigger’ in a better context? Don’t we still think it’s fine to make jokes about fat people, Newfies, Russians, and nuns? There is no question that Michael was out of line, and that there was nothing funny about his lynching references or his insults. There is no defense for behaviour he recognized as insane and harmful. But really, what can he do beyond his public apology and his retirement?

Of course, there are those who believe his racist words illustrated his racist heart. But try to answer this question honestly- you don’t have to answer out loud. “Have you yourself ever thought derogatory thoughts on the bus, toward blacks, Asians, Jews, Native Indians? Have you ever used the word “Paki?” Have you ever used the word nigger to describe one or two guys, but would never use the word for someone like, say, Samuel L. Jackson? Have you ever wondered why people in South America keep having so many babies and then end up on Christian commercials, hungry and asking for your money?” Yes, you have, unless you’re a liar. Now try standing in front of a bunch of people who don’t find you funny and see what happens.

Letterman, and cultural groups online, to name a few, have suggested that if Richards’ had lost his cool to white hecklers, we would have all laughed aloud at a trailer trash tirade, and there’s some truth to that. If it was a group of hot middle-aged women, there may have been cruel cougar jokes. Many black, white, and polka-dotted people have denounced the politically correct witch-hanging that this story has become. While dude is not exactly innocent, this faction says that Mike might be the only comedian who has only used the n-word six times in his life. Racial insults are the backbone of stand up comedy, they say, and they aren’t wrong. The only thing that changes is what we find funny. If white jokes by Whoopi are funny, or gangster jokes or period jokes, it’s all part of the biz. “Lynching back,” should then mean the retirement of nearly every stand-up comic.

Richards lost his cool, plain and simple. “For me to be at a comedy club and flip out and say this crap, I’m deeply, deeply sorry,” he told the world.

It’s likely that Michael Richards will forever be known as Kramer the Shocking Racist, though neither of those roles really have anything to do with the man behind the pompadour. You might be surprised to find out that the R-Man was a stand-up comic who got started on Billy Crystal’s early cable program. Guest roles followed, in Cheers, Night Court, Miami Vice, and more. Post-Kramer was the Michael Richards Show, a short-lived gumshoe comedy endeavour that no one can recall. We want our Kramer and we want him now! I believe that the comic’s public fiasco was a breakdown born out of the impossibility of being a figment of the public imagination. ckpaint

So nobody gives two hoots about Brother Michael Richards, but he’s a rather interesting fellow nonetheless. Brother? Yes, our man Michael is an active freemason of the 33rd degree, so get those conspiracy theories rolling. He is a Life Member of both the Los Angeles Scottish Rite Valley and the Scottish Rite Research Society, and belongs to a number of lodges. For those who missed both Dan Brown’s Da Vinci Code and The Stone Cutters episode of the Simpsons, Freemasonry is a centuries-old secret fraternity. There is much argument over the significance of the group: many feel the Old Boy’s Club gives men a sense of ritual and purpose, a forum to discuss heavy-handed religious texts or current sports events, and do a bit of community goodwill while staying out of trouble. Others credit the elaborate rites of the Masonic Lodge with everything from stealing the Holy Grail to worshipping the devil. The truth likely lies plunk in between, but no one can really know because secrecy pledges and funny handshakes are the backbone of any secret society.

Mike Richards is an extremely voracious reader who especially enjoys the kind of old, heavy books few of us can sit through and fewer still decipher. He became intrigued in Masonry through this passion. Furthermore, a comedian he respected, Red Skelton, was a Mason. That many other men he admired were Masons sealed the deal. Richards told Michael Marsellos, “I was already interested in the Craft from reading Manly Palmer Hall’s The Secret of All Ages, Albert Pike’s Morals and Dogma, and Albert Mackey’s Symbolism of Freemasonry. So, when I met Red and found out about his strong ties to Freemasonry, I was very impressed. Morals and Dogma certainly introduced me to Scottish Rite philosophy, but it was through Red’s lovable nature, Masonic and all, that I really wanted to be a Mason.”
marsellos1
The man’s search for meaning has taken many paths, however, so before we blame Kramer for kidnapping Christ or anything like that, let’s consider that the former bus driver, theatre school graduate, and army dude spent a few years in the ‘70s ‘finding himself’ on a commune in the Santa Clara mountains. Born in 1949 to parents of no specific religious affiliations, he dabbled here and there in various spiritual attractions. He was also drafted during the war in Vietnam, time he spent stationed in Germany co-directing the V Corps Training Road Show. (Ironically, some of the training videos were about drug abuse and racism!)

While his identity became entangled with Kramer, the creation of his comic, cosmic genius, this protected his private life in many ways and little is known about his nearly 20 year marriage to actress Cathleen Lyons. They divorced in 1992, but have a daughter together.

More than a decade later, in 2007, Richards became engaged again, this time to stunning actress Beth Skipp. After Richards publicly humiliated himself, and publicly retired, he once again went off to find himself. About that fateful embarrassment at the Laugh Factory, Richards told the LA Times, “That night, when I was insulted and disrupted, I lost my heart; I lost my sense of humour. I’ve retired from that. I’m taking time off to feel myself out, get to know myself and appreciate other people.”

And so Mike and Beth took off to Cambodia to visit ancient, remote temples, following the teachings of their Swami and guru, “Nit,” better known as Paramahamsa Sri Nithyananda. The young Hindu monk is a self-avowed ‘enlightened master’ and a modern mystic. California adherents say Richards began attending meetings with the sect about three months after the on-stage breakdown, but he told the LA Times that he was merely curious about the teachings, not a member of the sect. Nit’s mission is “to re-establish the science of inner bliss on planet Earth” and Richards and his fiancée enjoyed a stunning tour of Cambodia and learned more about its history. “…My fiancée and I went on our own, to feel the temples in our own way. They’re magnificent structures. It’s great to just be in them and watch time go by. We’ll probably be back,” he told the Times.

Michael and Beth spent much of the Angkor Wat tour on their own, not at the sect’s meetings, in search of their own spirituality. “What constitutes spirituality is heart,” Richards said. “Making people laugh is something else – I did ‘Seinfeld’ for 10 years – it lightens things up, helps people enjoy the world they live in more. I’ve had people call me from hospital beds and tell me, ‘That Kramer character got me through it. Thanks.’ It’s pretty simple, you know, the feeling of opening yourself up to others.”

He said he’s been doing “other personal work” since the Laugh Factory incident, to work through his mistakes, the hurt he caused, and the aftermath of his humiliation. The spiritual trip to Cambodia was all about “trying to understand the humanity that I am, that I belong to,” not about “karmic rehab,” the candid star explained.

Visit writer Lorette C. Luzajic at www.thegirlcanwrite.net. Please order her amazing poetry collection, The Astronaut’s Wife.

Available at:

http://www.chapters.indigo.ca/books/Astronauts-Wife-Poems-Eros-Thanatos-Lorette-C-Luzajic/9781847287335-item.html

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The Professor’s Wife: Louise Erdrich

Fascinating Writers is a spin-off column for Book Slut magazine. Please visit Book Slut to read about Louise Erdrich!

http://www.bookslut.com/fascinating_writers/2008_11_013684.php

Published in: on November 5, 2008 at 2:55 am Leave a Comment